The Concept Hurts
This is a rock.
The concept hurts.
Bite that thought
into a blood formula.
Thus begins a
sluice race down.
Train the items
to wonder where
they slip to.
A felt well of ocean
rimmed in brush.
Find the bottom of the body.
It is waiting on a pang of wood.
Rest on rocks.
Let your flesh hang.
n o w y o u a r e a
c o m m o n a n i m a l
y o u a r e a c o m m o n a n i m a l
a c o m m o n a n i m a l l o o k i n g o n
a c o m m o n a n i m a l l o o k i n g o n a n d o n
a common animal looking on and on and on your muddy foot you see a clean mark. A hairline crack where the last line broke. Suspended from the balmy tree cover, the letters loosen, falling down around your claws into the wet rot of forest. The common animal with a fractured foot nestled in leaves looking on as the book breaks down. In the musky wood, watch the face of your beloved book as it relinquishes volition. Watch the taught binding soften as you let your eyes settle. The book breaks the show once it sees the common animal is looking. On the warm forest floor words want to be watched. You shiver in your fur as the letter settles with you. See its fine-displayed angles sink into your look. See tact falter as it lights upon your ear. And the Spanish moss the drinking pool the lily pads the beetle husks the oak stump the fern patch the bed of shale the sparrow bones are starting to break down.
We should remember our love-making in the woods before it’s frosted over
So let me begin to collect the dim traces of this presentation:
As it stands what I see is only a mountain of blurred acorns
tumbling onto a row of obfuscated chairs
The ripped surface of the forest hides the trees that sheltered us
Scattered with the murky remains of a well-attended exhibition
Faded to an obscure site of wreckage littered with illegible books
Shreds of paper piled on three-legged tables with splintered side supports
Warped wooden surfaces tip downward as bric-a-brac slides to the floor
Sonic devices with digital components lie disemboweled
Valves and sockets wrenched from their settings
Cables peeled and stripped
Dampers, hammers, bridgepins, keypins,
knobs, jacks and pickups
Pickup a part and chuck it
No Dying Over in Glory Land
(there begins the slow rise of an alien hum, too uniform and resoundingly panoramic to originate in anything of this world. i go to the window and look out. it is night but the darkness has changed to a blinding yellow, rimming the jagged architecture with a pulsing halo as thick as paint, like the light of a cartoon sun. the whole landscape is flattened by this brightness. the post boxes, parking meters and hydrants have lost their shadow, all studio-lit and droning. i watch a brick apartment building across the way at the intersection of two roads. it is where my family lives; mother, father, sister, brother, friend and neighbor each at their own window. the façade is blanched and flickering yellow. then the building atomizes. the bricks loosen from each other and disperse into a cloud spreading over the golden sky. the windows turn black and float out like unmoored boats swarming the sea / / / / / / / / / / / / / /
i sed mor
put em back
backin a bag
u small cougher
small baby i re-member
drueling on the lilac dirt
u herd a firsky deer
i uh i uh
in a pallet on the flower
two feet in the ground
mom i wanna lips you agin
is it yr head with petals in it
squooshed in bed
here hold em for me
in yr thing
lets hold things
Hog-tied, I Am a Pigeon
Remote-controlled explosives strapped to two women with Down Syndrome detonated in a coordinated attack on pet bazaars Friday. Local police said the woman in the first attack sold cream in the morning at the market and was known to locals as “the crazy lady.”
Police initially said the bomb at al-Ghazl market was hidden in a box of birds but determined it was a suicide attack after finding the woman’s head, an officer said, speaking on condition of anonymity because he wasn’t authorized to release the information.
“I just remember the horrible scene of the bodies of dead and wounded people mixed with the blood of animals and birds” said a pigeon vendor named Ali. He noted that the market had been particularly busy because it was a pleasantly crisp and clear winter day after a recent cold spell.
Two weeks prior, during the worst of the bad weather, a long-eared hedgehog, two Turkish hamsters and a white-toothed shrew roamed the frozen brush at Amatzia Woodlands, searching to restore their depleted winter reserves. The air was thin and dry, and the ice crystals suspended from tree limbs were wholly without brilliance. To the foragers, death seemed imminent and all three turned their faces skyward as they were gripped by a staggering vision. The dull clouds had parted as a golden head revealed itself. The eyes, nose and mouth flickered like the spinning emblems of a slot machine, without ever resolving in an identity of form. Each rapt animal saw the hovering apparition as a perfect representation of his own genetic type; hedgehog, hamster, shrew, respectively transfixed by a luminous mirror image; the self presented as pure schematic ideal; a universal physiognomy with an unmistakable suchness suspended between the brittle webbing of trees. The forest was still as its inhabitants from all corners paused on the depleted earth to gaze up at the unintelligible face, its celestial fur smoothed to the texture of cream.